“On the second night I sat close to the central ‘sweet spot’ of the surround sound system, and it made a huge difference to the convincingness of the effect. The brief, rapid succession of bell chimes with which Ângela Da Ponte opened her performance was extraordinarily effective in creating an acoustic and imaginative illusion of mediæval religious architecture; the variety of sounds, both ‘indigenous’ (chants, chimes) and ‘extraneous’ (electronic tones and pulses), with which composer then filled this space all seemed like they belonged there.”
by Nathan Thomas on BEAST & SoundKitchen Pantry Sessions concert.
